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Kommt, ihr Tochter, helft mir klagen! Mache dich, mein Herze rein 8. Wir setzen uns mit Tranen nieder 8. The Art of Fugue: Prelude and Fugue No. Gavotte en rondeau 8.

Chopin: Scherzo No.1 in B Minor Op.20 Analysis

Schafe konnen sicher weiden from Was mir behagt, ist nur die muntre Jagd 8. The Maiden's Prayer, Op. Adagio for Strings, Op. Main title theme 8. Music for Strings, Percussion and Celesta, Sz. Fantasia in C minor, Op. Mir ist so wunderbar 8. O welche Lust Chorus of Prisoners 8. Minuet in G major, WoO 10, No.

Allegro con brio 8. Adagio un poco mosso 8.

Piano Quintet in E-flat major, Op. Allegro molto vivace 8. Andante con moto 8.

Chopin: Scherzo No.3 in C# Minor Op Analysis

Allegro ma non troppo 8. Gesangvoll, mit innigster Empfindung: Andante molto cantabile ed espressivo 8. Moderato cantabile, molto espressivo 8. Piano Trio in B-flat major, Op. Piano Trio in D major, Op.

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Largo assai ed espressivo 8. String Trio in G major, Op. Impossible - Rogue Nation Andante molto mosso 8. Apocalypse Zardoz Allegro ma non troppo, un poco maestoso 8.

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Back in the Habit Turbulence 3: Violin Concerto in D major, Op. Andante con variazioni 8. Prelude to Act II 8. Harold in Italy, Op. Clair de lune 4. Rondena from Suite Iberia. Alborada del Gracioso from Miroirs. Vif E minor 2. Allegro moderato E minor. Forlane Allegretto E minor 4. Assez vif C major. Allegro Moderato G major 6. Toccata in D minor op. Danza del Viejo Boyero.

Rachmaninov Scherzo D minor

Danza de la Moza Donosa. Danza del Gaucho Matrero. Toccata in E-flat minor. The Serpent's Kiss IV.

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  7. Begins with a sequence based on the rhythm and figurations of the main theme, using the chord progression iv-V7-I in D major Bars , F sharp minor Bars , and A major Bars Followed by another sequence, using a French augmented sixth and dominant chords of C sharp minor Bars , C minor Bars and B minor Bars Bars are in F sharp major dominant major with a flattened sixth D natural , with perfect cadences in Bars and Returns to B minor in Bars , with a dominant pedal and some chromaticism, ending on a dominant ninth chord in Bar The remaining bars Bars are based on diminished seventh broken chords.

    Mostly in B major, apart from a very brief modulation to F sharp major in Bars Ends with a perfect cadence in B major in Bars ; the dominant chord at the end of Bar has an added sixth D sharp. Begins with a sequence, modulating from B major to G sharp minor, with a diminished seventh chord in Bar and an imperfect cadence in Bars